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If It Was It Would Be So

by Dark Numbers

  • Record/Vinyl + Digital Album

    Beautiful color vinyl LP. Current color options are jade or dark purple. Feel free to make a color request and we will do our best to accomodate your preference!

    Includes unlimited streaming of If It Was It Would Be So via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 300 

      $15 USD or more 


  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $8 USD  or more


  • Test Pressing
    Record/Vinyl + Digital Album

    Test pressing of the album "If It Was It Would Be So". Super limited and hand numbered. Comes in a blank black disco sleeve with glued on cover art and Cascade Record Pressing center labels.

    Includes unlimited streaming of If It Was It Would Be So via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

Middle Night 03:28
Filament 02:51
Fuse 02:16
Supernovae 02:27
Gravity Well 06:59
Shallows 05:46
The Mariner 04:21


"A stirring blend of sounds and genres, the record's eight songs blend crunching riffs, spacey atmospherics and a penchant for '70s and '80s new wave, fusing the 4 members' different influences together to create something totally new and exciting." - Mischa Pearlman/ KERRANG

"Dark Numbers' debut album is the shit. Some of it sounds like Alice In Chains if Alice In Chains smoked way more weed and injected far less heroin. Some of it is in the same kinda doom/trad hybrid you get from bands like Khemmis. Two tracks, "Supernova" and "Gravity Well", seem to be haunted. Another, "Fuse", is like an interlude dominated by sci-fi B movie synths. There's a song called "Shallows" good enough to make you forget all about that Lady Gaga shit, and a song called "The Mariner" that includes not only an excellent use of saxophone, but is so depressing I had to stop typing this for awhile as I wept. Guys: Listen. To. This. ALBUM!!!" - Axl Rosenberg/ METAL SUCKS

"An unnervingly sweet, melodically powerful and progressive take on sludge that incorporates touches of gospel, slow core, '70s and '80s pop and new wave, and whatever Anneke van Giersbergen has been doing the past 20-some-odd years." - Kevin Stewart- Panko/ DECIBEL MAGAZINE

"I guess we straddle a definitive genre. People throw around the word 'prog' a lot. I prefer 'space rock'. I approach vocals from a hyper melodic place. Dan has more complicated, mathematical sensibilities. Kirk and Ben round out our sound with a sludgier edge. I don't really know what to call us, but our recording engineer called us something like 'a doomy E.L.O.'" -Singer Natalie Lucio interviewed by HEAVY MUSIC HEADQUARTERS


released May 24, 2019

All songs except "The Mariner" recorded by Fester with the assistance of Andrew Grosse at Caravan Recordings in Portland, OR.
"The Mariner" recorded by Dan O'Hara at Plural Mural
All songs mixed by Fester in his Hypercube
Mastered by Stephan Hawkes at Interlace Audio
Vinyl lacquers cut by Amy Dragon at Telegraph
Vinyl manufactured at Cascade Record Pressing
Cover art by Mae Starr
Layout by Kirk Evans


all rights reserved



Dark Numbers Portland, Oregon

"Covers everything from eerie atmospheres to massive, chunky riffs underlying earworm vocals, making for one hell of a package."-

Natalie Lucio- Vocals/ Synth/ Saxophone on "The Mariner"
Dan O'Hara- Baritone Guitar/ Vocals
Ben Stoller- Drums
Kirk Evans- Bass/ Vocals

Current and former members of Humours, Cliterati, Hot Victory, Poison Idea, Stöller, Lord Dying, Prizehog and Sioux
... more

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